Monday, February 2, 2009

Bleeding Madras Shirt



Photo: El Comercio
'Mythology Asturiana' in Open Forum. Diario El Comercio, Friday, February 13, 2009.
His personal style and the issues it addresses, in some cases have been accompanied by controversy, leave no one indifferent. Carlos Alvarez Cabrero started in comics and is now interested in the references of the Asturian mythology. His illustrations accompany the texts of 12 writers of Asturias in a book / folder under the same name, 'Asturian Mythology. " Yesterday afternoon several of the authors presented the work at the Open Forum Bookseller Cervantes. Those interested have to hurry: the project is limited to the publication of 75 copies.

Myths updated. Diario El Comercio, Tuesday, February 10, 2009. Twelve
Alvarez Cabrero artist's engravings illustrated a limited edition 'Asturian Mythology', a book that updates the image of the legendary characters GIJÓN
Leticia Alvarez.
A busgosu of the Boston Celtics, a Trasgu with a T-shirt that reads 'Bad Boy', a xana with thong ... The artist Carlos Alvarez Cabrero has been able to update the Asturian mythology. Translated as guaxa dark beings, magic and witches and their covens, eavesdroppers like Marin home or mocking as the current images diañu to demystify the myth. But "no been easy, "says the writer when asked about a job that is now part of the book-box 'Asturian Mythology." A chest scrim and exquisite finish, edited by Pata Negra firm, led by Fermin Santos, which are treasured twelve etchings and aquatints accompanied by many other texts of contemporary authors, stories that start from where the artist image environmental mythological characters. Is not in ponds, or valleys, if not in the streets of cities around every corner, on a beach, a beer or a laundry. Scenarios, all of them, in which the artist moves easily Oviedo unmistakable style and 'underground'.
"When the editor asked me to bring my work mythological creatures seemed complicated, first because it is a topic not usually work, and then, because the documentation is about the myths the same character is never described the same way. The images that we know of these things are what made other artists and these, in turn, imitated other images of Europeans, so I decided to modernize them according to my own ideas. "
Thus the Sabbath is in the eyes of Cabrero a show of 'boys', that sounds like what lies ahead in some gossips dinners, and the image of the Malian comes directly from the mouth of a drunken man lying in the middle of the sidewalk in front of some curious bystanders, but unperturbed.
"Basically I found that image very well reflected the sense that it always gave Mechelen, those characters that are blamed for bringing disease, the evil within us," explains the artist. Drawings
acids and filled with irony in which Alvarez Cabrero unleashes his personal creativity as it did with 'Carapijo' controversial grounds that picture on the board and shocked many by its explicit images.
The twelve etchings and aquatints included in "Asturian Mythology" respond to a slow process, the artist took almost a month to make each one of them, with which you get a very painterly image. In addition, mixed aquatint etching with the etching technique can achieve different tones, which would otherwise be impossible to achieve, since the etching itself, only allows a set of lines. Writers and stories

The deluxe edition of these prints is in bookstores at a price of 750 euros and only a lucky few can enjoy it because the print run of 75 copies. Each image, a work of art, is also accompanied allusive stories and for them the editor Fermin Santos ordered the signatures of some of the most prominent authors such as Asturias José Luis Pike, who dedicates his story to the Marin home or Fueyo Pelayo who writes about busgosu.
are part of the list of authors also Fatima Fernandez Menendez, Javier Fernández Granda, Nestor Villazón, Alejandro Sirvent, G. Herme Donis, David Suarez, Pablo Alvarez, Ana Vega, Inés Toledo and Elisa Torreira. All of them bring to life the characters created by Alvarez Cabrero for this collectible.
The presentation of the book-box will be on Thursday at the bookstore Cervantes.

The Trasgu not what was . La Voz de Asturias, Tuesday, February 10, 2009. Feature
. A book-binder
brings 12 original prints of Alvarez Cabrero on Asturian mythology Twelve writers have signed the texts accompanying the illustrations.
Georgina Fernandez. The
Trasgu is no longer a mischievous dwarf dressed as Snow White with a red robe with a hood. Has revamped its image and is now a grumpy prey, with horned, which stands next to a washer Balai wearing a T-shirt that reads Bad boy. It's Trasgu Carlos Alvarez Cabrero (Oviedo, 1967), the author of the book's illustrations-folder Asturian Mythology (Ediciones Pata Negra), presented on Thursday at the Open Forum of the Library at 19.30 hours Cervantes .
traditionally Nuberu is represented as a burly man aged appearance, gray beard, dressed in furs and wearing a wide-brimmed pointed hat, but in this book becomes a personalized cloud grabs the neck of two bystanders. All illustrations are very personal seal of Alvarez Cabrero and 12 prints are accompanied by texts of 12 writers Asturias. The project combines well, graphics and narrative, in search of a thorough review of mythological themes that the editor, Fermin Santos - also an artist - deemed "too trite today."
The book / artist folder has a circulation of 75 numbered prints that include the 12 12 original and unpublished texts, made specifically for the project. All copies of the edition are signed in the colophon of the work. The texts are based on the idea that causes every picture of Alvarez Cabrero.
The authors of the texts are Pablo Alvarez, Inés Toledo, Ana Vega, David SG, Javier F. Granda, José Luis Piquero, Néstor Villazón, Elisa Torreira, Alejandro Sirvent, Fatima Fernandez Mendez, Herme G. Donis and Fueyo Pelayo and the project is sponsored by Caja Rural de Asturias
This is a snippet of text Fueyo Pelayo wrote to accompany the stamp dedicated to the Busgosu: "I'm leaning on the counter of a bar drinking my beer number thirty for, as they say, ease the pain of a woman who left me. And is not that successful with women, even I have been repeatedly tried and I've been in prison for kidnap twenties. It is true that they did not feel any contempt for me, were enchanted by my sexual abilities and excited by my smell montuno. (...)"

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